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Concatenate’s newest path simplification option

Concatenate dialogWhen concatenating a number of straight paths placed end-to-end, there’s often no need to keep the anchor points that once separated them. It’s also often worth simplifying the path just a little to reduce the number of anchor points. This is especially true if you plan to edit the path afterward. Now Concatenate for Adobe Illustrator CS6 and CC has been upgraded to version 16.1.5 with a setting for merging these straight segments. Even a very small value such as the default of 0.0001 (one 10,000th of a degree) will remove points when combining straight paths that were cut and rejoined. For the most hands-off handling of paths when concatenating, just enter 0 in the settings for curves and straights. This update is recommended for all users.

Select Menu speed bump

The popular free Select Menu plugin is now faster! I guess one could say it’s a speed bump in that its speed has been bumped up. Then again, its speed bump has been the result of removing (unless you want it) a speed bump, as in those bumps in the road intended to make you slow your vehicle down.

One recent improvement, or so I believed, was when the plugin checked for the existence of various types of objects in the current document and disabled unneeded menu items so as to save users from looking for something that’s not there. In a very large or complex document, however, that search can take a second or two, or longer, so the feature didn’t necessary save much time. With version 16.0.6, the default behavior is to enable all menu items whether needed or not. If you decide you’d rather have the menu parse the current object types, just press the Alt or Option key while selecting the Select > Object menu and the plugin will diligently search like Yoda examining the contents of Luke’s food case.

Did I mention that it’s free? Yup, still free.

Isometric Line Tool gets new angles, new tool, new name

IsoTool

In addition to drawing at isometric angles, the plugin now includes a tool to move selected art along the isometric axes. Since it’s no longer just a line-drawing tool, it has a new, simpler name.

For those occasions when you need a different projection, just double-click the tool’s icon and enter preference settings for the angles of your X and Z axes. Since it’s not just isometric anymore, perhaps the name should reflect axonometric instead… but there are other axonometric tools in the works, and that could get really confusing later on.

If you use Hot Door’s awesome CADtools plugin, you can define your axonometric settings there and IsoTool will adjust accordingly.

IsoTool is still free. I hope you find the updated features useful!

Works with CADtools

 

Nudge Panel now includes a pattern mover tool

nudge toolWhen fine-tuning the position of a pattern, I’ve often wondered if it would be faster and easier to just zoom in, click on a point I want aligned with something else, and drag it to the new position. Nudge Panel now includes a tool to let you do just that. And d’ya know what? It really is faster and easier than clicking the nudge buttons on the panel (although you may want to make the final ever-so-small adjustments with the panel). Snapping the tool to a path or point for alignment makes precise adjustments even more quickly.

For the technically curious, the tool works by choosing a reference point in the pattern, then dragging as shown above to a destination point. It would be great to just see the pattern move with the cursor, but as with all Adobe Illustrator tools, changes while dragging are only updated in wireframe mode until the mouse or stylus is released. Only then is the affected art actually redrawn.

Download the free update for Nudge Panel 16 and try it out!

Updates for everything!

All Graffix plugins have something in common, whether it’s a module of code to add an About Box, handle preferences, or other functions. All of these shared libraries have had improvements made to them, making the plugins more stable, more reliable, and with better memory management. Every plugin available for CS6, CC, CC 2014, CC 2015, CC 2015.3, and CC 2017 (all 132 variations) now has an update available They’re recommended for all users.

And once you’ve downloaded those updates, you may notice that the read-me doc has been updated, as well, with clearer instructions on where to place the plugin. There’s also a link to the support area of this web site, which has been updated with an FAQ section and will see more frequent and meaningful help topics.

Many thanks to all users who have shared their questions, comments, and observations, which led to these improvements.

All the best,

Square Up: Free Transform’s new best friend

Square Up usage 2Newer versions of Illustrator CC have tools that allow you to draw casual rectangles and it automatically converts them to nice, square objects. But what if you’re working with customer-supplied art or something that had been distorted by previous transformations? You probably won’t start with something as sorry as the image shown here, but it’s not a problem if you did.

Square Up usage 1Using the Square Up plugin for Adobe Illustrator, simply select “Vertical and horizontal” from the popup menu and click the Go button.


Square Up usage 3Almost instantly, your path(s) will become nice and square!


Square Up usage 4What if your art is rotated, and you want it to stay that way? No problem…


Square Up usage 5Just select “Object’s dominant axis from the popup menu and the plugin will calculate the general angle of your art.

Square Up usage 6

If several objects are selected, all of them will be squared to the same angle.

Square Up usage 7When placing many rectangular shapes where several may need to be at the same arbitrary angle or each a bit different, the Free Transform tool is really helpful.

Square Up usage 8After dragging duplicates of the same rectangle around, you may notice it’s a bit skewed. I found with the newer versions of Illustrator that constrained transformations are no longer a given, and accidentally distorting a rectangle is unfortunately easy.

Square Up usage 9It’s no problem with Square Up, though. With the click of a button, the art is re-squared and the bounding box’s rotation is set to match the rotation of the art. If you do technical or production art, this could be a real timesaver. Go ahead and give it a test run. The trial period is based on usage, not time, so you’ll have plenty of opportunities to put it through its paces and try out the other modes, such as aligning to the AI Preferences constrain angle or just collapsing the control handles to remove all curves from the path.

You can find it here, and download the one for your platform and AI version. Can this be made easier to use, or more flexible? Feel free to say so. Your comments and suggestions are always welcomed. I’m an illustrator, too, so as Red Green says, “we’re all in this together.”

 

Concatenate updated to v. 16.1

Concatenate panelThis is the best version of Concatenate ever (IMHO), and I find it’s a real pleasure to use. This update is highly recommended for all users. “What’s new?” you might ask. First, the two checkbox options are gone. Averaging anchor points is now built in. Why would anyone want short connectors between them? If you do, by all means let me know and if there’s enough demand, I’ll be happy to bring that back. Next, the option to average the control points is gone. I’ve never used it, since the results have never really given results I was happy with. Instead, I added an option to smooth joins between two curved paths by aligning the control handles. Of course, we don’t always want all curves smoothed, so there’s a setting to specify a range within which smoothing will be done. With a setting of 0, only paths that are already perfectly aligned will remain perfectly aligned. I.e., nothing changes. You could enter a value up to 180 degrees, in which case every curved join will be smoothed. You can set this to any setting that gives you a satisfactory result.

A couple of under-the-hood changes that allow the plugin to run faster are less obvious. Most significant is a change that makes Concatenate smarter about which paths to consider for assimilation, which also solves a problem of occasional benign errors and their pesky dialogs, most noticeable when layers are hidden.

But wait, there’s more to come! Concatenate is often used with very large map or CAD files, and when it’s evaluating tens, or even hundreds of thousands of path segments, operations can take much more than the almost instant results we’re used to. For those situations, a progress bar will be added soon.

If you have observations about this update or ideas of any way Concatenate or Assimilate can be made better, please let me know. Remember, I’m an illustrator like you and, as Red Green used to say, “We’re all in this together.”

Whatever happened to the Proof Block plugin?

Some of you may recall a plugin called Proof Block. It ranked even below the Alien Palette in popularity, although I’ve used it myself at my day job for over 20 years. For the most part, it was little more than a small form to be initialed by people proofing various drafts of artwork prior to publishing. I was inspired to write it by the recurring problem we had of a copy-and-paste version that would sometimes peek back at us from a QuarkXPress graphic frame. My solution was to create a “proof block” layer, place the form on it, then the plugin set it to printable when opened in Illustrator, but non-printing and not visible when closing the document. Crisis solved!

Perhaps you’d still like something like that. It’s really not that difficult to write a script to draw the lines, boxes, and text, but I’m a staunch advocate of using a script, not a plugin, for that now. My proof block script today does everything that the plugin did, and much more. First, we have a document naming convention so the script can discern the magazine name, date, story code, and even look up the editors on its staff. It handles dates, keeps track of proof iterations, and even stores a record of the revision history in the document. When I save the document to the art server, the script saves a copy to the correct folder on the editorial server. If it’s a first draft, it fetches the illustrator’s name from Outlook, looks up the designer’s email and alerts her that art is available to place in InDesign. When the art is approved, it’s marked as such and the related editors, art director, and  designer are notified.

In addition, scripts check for missing fonts, placed art that should be embedded, look for RGB colors in a CMYK document, and more. It’s also much easier to revise than a plugin. Since everybody’s needs and workflow are quite different, it wouldn’t be useful to anybody to share my script, but I will share my enthusiasm for scripting it as one component of a larger process. I promise that once your custom script is used, you won’t look back.

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