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Whatever happened to…

If you’ve been using Graffix plugins for a while, you may have noticed a few of them are missing from the current lineup.  I’ll explain why you shouldn’t miss them. The story behind the apparent demise of the Proof Block plugin is explained in this post. There’s actually a much better way to accomplish what this plugin did, so it would actually be a disservice to continue to offer and encourage the use of this plugin (albeit, as Obe Wan said, “from a certain point of view”).

Another is Arrowheads. Again, there’s now a better way to do this, as explained in this Adobe blog. To add the white halo, I just apply a graphic style that adds a white stroke behind the black, offset a bit to the upper right. Rather than offsetting the highlight, you may want to just use a heavier stroke to apply equal white all the way around.

The last to disappear is the Trackplan Tools plugin. I wrote this one specifically for use at my day job, and given it was so specialized, I’ll apologize to its four users for taking it off the list.

Over the past few years, there have been many times I’d wished I had another plugin to do some task. Now that I again have the time and tools to write current-version AI plugins, I’ll be adding them. Those who already bought the Productivity Pack will find new plugins  automatically added to their suite of licenses.

Thanks for your support. I promise more plugins are coming soon.

Whatever happened to the Proof Block plugin?

Some of you may recall a plugin called Proof Block. It ranked even below the Alien Palette in popularity, although I’ve used it myself at my day job for over 20 years. For the most part, it was little more than a small form to be initialed by people proofing various drafts of artwork prior to publishing. I was inspired to write it by the recurring problem we had of a copy-and-paste version that would sometimes peek back at us from a QuarkXPress graphic frame. My solution was to create a “proof block” layer, place the form on it, then the plugin set it to printable when opened in Illustrator, but non-printing and not visible when closing the document. Crisis solved!

Perhaps you’d still like something like that. It’s really not that difficult to write a script to draw the lines, boxes, and text, but I’m a staunch advocate of using a script, not a plugin, for that now. My proof block script today does everything that the plugin did, and much more. First, we have a document naming convention so the script can discern the magazine name, date, story code, and even look up the editors on its staff. It handles dates, keeps track of proof iterations, and even stores a record of the revision history in the document. When I save the document to the art server, the script saves a copy to the correct folder on the editorial server. If it’s a first draft, it fetches the illustrator’s name from Outlook, looks up the designer’s email and alerts her that art is available to place in InDesign. When the art is approved, it’s marked as such and the related editors, art director, and  designer are notified.

In addition, scripts check for missing fonts, placed art that should be embedded, look for RGB colors in a CMYK document, and more. It’s also much easier to revise than a plugin. Since everybody’s needs and workflow are quite different, it wouldn’t be useful to anybody to share my script, but I will share my enthusiasm for scripting it as one component of a larger process. I promise that once your custom script is used, you won’t look back.

Select Menu for CC

Buried not-too-deeply in Adobe’s SDK (Software Developer’s Kit) is a list of pre-defined art object types. While some were included in Illustrator’s Select > Object menu, many more were not. It seemed useful to select the other object types, as well, and objects such as paths had properties that were easily obtained and often helpful to select within an illustration. In that spirit, I wrote Select Menu plugin and, given that it was relatively simple to build and applicable to casual users, I’d make it available for free.

It’s not always clear though, what each object type represents, so please understand than some of these choices are simply passed along to you to use to the extent that Adobe uses them when creating their digital form of your artwork. For example, if you use the Shaper tool in CC 2017, you’ll see in the Layers Panel that a Shaper Group has been created. That object type isn’t in the list, though, so finding them would involve examining every object in the document and examining its structure and properties to select those that fit the definition of a Shaper Group. I hope to find enough data on Shapers, Envelopes, and other objects to add them to the menu, so updates are likely in the foreseeable future.

Illustrator CC added Point Text Objects and Area Text Objects, so Select Menu adds them for CS6 users as well. In addition, it adds the following 27 items for everybody:

  • Legacy Text Objects
  • Path Text Objects
  • Guides
  • Paths
  • Open Paths
  • Closed Paths
  • Filled Paths
  • Unfilled Paths
  • Stroked Paths
  • Unstroked Paths
  • Dashed Paths
  • Undashed Paths
  • Compound Paths
  • Styled Art
  • Unstyled Art
  • Opaque Art
  • Transparent Art
  • Symbols
  • Groups
  • Live Objects
  • Gradient Meshes
  • Raster Art
  • Placed Art
  • Graphs
  • Plugin Art

I hope the menu is as helpful for you as it has been for me. If it fails to select an object you feel it should, please copy that object into a separate Illustrator document and send it to me as a bug report. If I can find the problem, I’ll fix it.

The topic of item selection can be taken much farther, though, so if you want a real selection power tool, you’ll probably not find one better than Hot Door’s NitPicker plugin, which I find indispensable in addition to Select Menu.

Download Select Menu

Concatenate CC: 20th anniversary edition

It’s hard to believe it was 20 years ago that I first wrote the Concatenate plugin to join lines from imported CAD files. In all these years, Concatenate has never seen a price increase or a charge for a compatibility upgrade. Since the CS6-CC version is completely rewritten for Illustrator CC from a new library, it will be treated as a new product, but at the original 1997 price. Improvements are already planned for it so updates are imminent, but since it’s as functional as the original it seems best to make it available to people to add to their CC toolset as I’ve added it to mine. For a limited time, you can take advantage of a 50% discount with the coupon code shown on the product page.

Other plugins will be arriving very soon, as well.

Thank you for your support and encouragement over the years!

Concatenate CC for Mac and Windows

Concatenate plugin’s line-joining origins

Every plugin I’ve written has a story, or more specifically, experiences in using Adobe Illustrator when I’ve thought “Gee, if one could only…” and so in 1993 I wrote Concatenate to address a frequent dilemma.

If you’ve ever imported CAD files or GIS data for maps, chances are your first reaction was something like “wow, there’s a lot of detail here, it’ll save me a ton of time!” But once you started working with it you probably had some reservations, thinking “Oh no, this must be made up of a gazillion tiny pieces!”

  

That’s what I thought when I started working on maps like this one of the Twin Cities for an article by Steve Glischinski in the December 2003 issue of Trains magazine. The image on the left shows USGS (US Geological Survey) data imported into Adobe Illustrator via Avenza’s MAPublisher plugin. Here I had imported data for streets and highways, railroads, and inland waterbodies. It looked much more like a map once I simplified and colored it with the help of my Concatenate plugin.

As this image of small-town streets and highways here shows, GIS data is similar to imported CAD data in that it’s made up of many short paths laid end-to-end. Generally, the paths end at every point where they meet or cross another path.

By selecting one or more paths, I used Concatenate’s Assimilate function to join the paths whose endpoints were within 0.25 points apart and within 10° of tangent. By adjusting this setting, I could control which paths were concatenated, restricting it to those that formed a fairly straight line. A second pass concatenated the other side of the divided highway. Now this main road can be given a prominent style and the secondary roads made lighter and/or thinner.

As you can see in the top right image, the inland lakes were stroked and filled with blue. Most of them are already joined as closed paths with occasional cleanup, but the rivers had to be concatenated into longer paths which I then applied Illustrator’s Object > Path > Simplify function on (usually set to curved lines between 97-100% accuracy). Hiding other layers helped eliminate visual clutter as well as restricting selections to the paths I needed to work on. The many streets made the city railroad map use more memory and storage than was really needed, so I used the Concatenate plugin on that, also, again starting by concatenating lines within a few degrees of tangent, then selecting and concatenating again with slightly larger values. Finally, I simplified the paths to remove excess points so that the street grids became what they appeared to be, longer streets that simply crossed each other. This becomes especially important when creating art for digital media, since low-power phones and tablets have to draw every line if the art is left in vector format.

So, where is Concatenate for CS6 and CC now?

Concatenate is currently in beta testing and coming along nicely. I use it myself regularly at my day job, and today worked on refining the Assimilate function. It’s available to testers now and should be released soon.

In its public debut, the plugin will likely be missing the ability to record it as an Action, but I felt users who rely on it would prefer earlier access and a few free updates as I restore original features and add some new ones, as well.

You can expect versions for CS6, CC, CC 2014, CC 2015, CC 2015.3, and CC 2017, in addition to Mac OS X and Windows 32- and 64-bit versions. I’d like to thank our friends at Hot Door for providing the tools that made these newer versions possible.

All the best,

Plugin progress: beta round 2 for CS6 and CC

Whew!

All of the main plugins are now in testing after having been completely rewritten for CS6 and CC. Some of the details are missing, but in many ways they’re already improved over the previous versions. I’d really hoped to have them finished by now, but if you don’t want to wait and are willing to report bugs and overlook some rough spots until the polish is completed, you can start using them now by becoming a beta tester.

Just send me a message that you’d like to test them, state your OS and AI version and a bit about your background with Adobe Illustrator, and I’ll get back to you.  There’s still room for a few more pioneering souls in this group!